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Notes

1. Parts C-F can also be harmonized a 3rd higher. 2. The recording has the long note at the end of C only the first time. 3. Accompaniment should mostly be in 3: bass-chord-chord.

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One title Only 1 transcription Has some stepwise movement Never repeats a note minor E 7/8 Has notes text Has chords explore more...

ABC

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X: 1
T: Bavno Oro
O: Macedonia
P: 2x(AB)CABD2x(EF)
Z: 1997 by John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
N:
N: 1. Parts C-F can also be harmonized a 3rd higher.
N: 2. The recording has the long note at the end of C only the first time.
N: 3. Accompaniment should mostly be in 3: bass-chord-chord.
M: 7/8
L: 1/8
K: Em
"A" \
|: "Em"[g3b3] [e4g4] | "B"[^d2f2][eg] [fa][gb] [fa][eg] \
| "Am"[^d2f2][ce] "B"[B4^d4]- | [B7^d7]- | [B7^d7] :|
"B" \
|: "Am"[c2e2][^df] [ec][B^d] [A2c2] \
| [B^d][c2e2] [df][eg] [f/a/][e/g/][^df] \
| "Am"[ce][ce][^df] [ec][Bd] [A2c2] |
| [B^d][c2e2] [df][eg] (3[eg][df][eg] \
| [eg][fa][eg] [^d2f2] [c2e2] \
| "B"([^d/f/][c/e/][B2d2])- [B4^d4]- | [B7^d7] :|
"C" \
|: "Em"{^d}ede fg fe | "B"^d2c Bc de \
| "Am"^d2c {c}d2 (3cBA | "B"Bc2 "Em"(^de3) |
| "Em"{^d}ede fg fe | "B"^d2c Bc de \
| "Am"^d2c {c}d2 (3cBA |1 "B"{A}B7 :|2 "B"{A}B7- | B7 |]
P: Repeat A, B
K: A
"D" \
|: "A"dce d2 cA | "E7"B2A GA Bc \
| "A"dce d2 cA | "E7"B3 {^d}e4 |
|  "A"dce d2 cA | "E7"B2A GA Bc \
| "A"dce d2 cA |1 "E7"B7 :|2 "B".Bz |]
K: Em
"E" \
|: "(faster)"Bc ^de \
| "B"f2e f(g/a/ g/f/)e | f3 Bc ^de \
| f2e "Am"^d(e/f/ e/d/)c | "B"B3 :|
"F" \
|: "B"^d(e/f/ e/d/)c \
| ^d2c d(e/f/ e/d/)c \
| ^d2c d(e/f/ e/d/)c \
| ^d2c "Am"B(c/d/ c/B/)A | "B"B3 :|

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